5. But it's not about that; It's about that they consequentially start to recommend say anything above 400, even 1600 or 3200 obviously. ISO 800/30 Daylight-Balanced Film; Show More. You now know how to best handle daylight photos with your roll of Cinestill 800T film so check out these 800T in daylight sample photos below, and use the tips above to go and create your own! What film should I use for black and white outdoor 'formal' shots? If they dont hurry up with E100 in 120, I might have to though . Right circle: colour-corrected frame shot without the filter. Shutter speed is the . Interestingly, an overcast days sunlight measures nearly 7000K, just like an LED or a blue star. in front of your cameras lens is arguably the best way to shoot CineStill 800T in daylight. If you can get a fast-enough shutter speed at ISO 400, use that. I have no experience with color negative film. The combination of shutter speed, aperture and film speed/ISO (and light modifiers) are expressed as EV or "Exposure Value". Are there conventions to indicate a new item in a list? Though, I must admit, I did put this down to having shot the roll with a camera with an evaluative meter that would have no doubt kept the exposure in check.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-box-4','ezslot_9',182,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-box-4-0'); Back when I shot this first roll, I was still fairly affixed to only shooting Portra 400. It . In this video, I test Cinestill 800T for the first time in three different enviroments. How to colour correct CineStill 800T shot in daylight after scanning. I often create a new layer with pure white and pure black swatches of colour to help me quickly reference how those tones ought to look in the end. So, when you select a film to use, you need to consider the look you're going for and what the film speed will mean for your Aperture/Shutter Speed ranges in the given shooting condition. That said, as Ive alluded, with a 50mm f/1.2 lens mounted to a camera with a maximum shutter speed of 1/4000th of a second, I pretty much feel like I can shoot what, where and however I like.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[320,50],'35mmc_com-medrectangle-3','ezslot_3',180,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-3-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[320,50],'35mmc_com-medrectangle-3','ezslot_4',180,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-3-0_1');.medrectangle-3-multi-180{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:25px!important;margin-left:auto!important;margin-right:auto!important;margin-top:25px!important;max-width:100%!important;min-height:50px;padding:0;text-align:center!important}. The filter will also darken the image, so you will need to meter at 400 on a handheld meter to compensate. The number of distinct words in a sentence. ISO in Photography: what it is and when to use your higher settings Its fine grain, high contrast. As an 800 ISO film, I suppose I had pigeon-holed it as a low-light film. You won't miss a low light shot again . We and our partners use data for Personalised ads and content, ad and content measurement, audience insights and product development. Actually, now Id got to grips with my scanning processes, what really interested me when I scanned this roll is that I found it much easier to get the more saturated colours I like. Oh, I should not forget to mention: lovely photos indeed! It single-handedly converts your emulsion to daylight-balanced stock. About Submissions Apps & Downloads Shop Terms Privacy Cookies Disclaimer AUP Privacy Tools Feedback Feedly Twitter Tumblr Mastodon Instagram Pinterest. Now I'm just trying to select types of film I like the look of to try in some cameras I have, in this case specifically for a balanced general purpose (let's say a mix of outdoors and sometimes in a shade or well-lit room). The last time I shot inside, I only had some UltraMax 400. In fact, in some of these just because I could pull so much detail out of the shadows I probably slightly over-egged the pudding. These aren't showstoppers, just things you should be aware of. What happens when CineStill 800T is shot outdoors in daylight? Left circle: a matching frame shot with an 85C warming filter. Planned Maintenance scheduled March 2nd, 2023 at 01:00 AM UTC (March 1st, We've added a "Necessary cookies only" option to the cookie consent popup. Taking care of colour casts, in this case, can be done using Photoshops Color Balance tool to alter the image so that its grey tones appear natural. Thanks to Cinestill 800T's great exposure latitude, you can easily underexpose the film for photos that appear darker and sport more contrast. You can speed up this process with the Curves adjustment layer that has image sampling pipettes (to the left of the histogram) which you can use to pick the white, grey, and black points in your photograph. Finally, I just want to say thanks to Kodak Alaris for suppling about 50% the film I shot above. And if you shoot it in daylight, a sunny day is 5400k and shade is 6500-7000k, meaning that shooting tungsten film in daylight will give you completely blue photos. mode, I shifted my sliders away from Green towards Magenta, from Cyan towards Red, and from Blue towards Yellow. What factors changed the Ukrainians' belief in the possibility of a full-scale invasion between Dec 2021 and Feb 2022? I think I probably expected it to have a much coarser more visible grain structure, and that Id find myself in situations where Id regretted not using a slower film for the sake of less visible grain. Most colour film sold is daylight-balanced which means that itll render a piece of paper white under the sunlight (5500K). purchases using the links above so that this website may get a small percentage of that sale at no extra charge for you thanks. Depending on how persistent the rain is. Manage Settings Night photography, outdoor in available light falls in the EV 3 to 5 range at 100 ISO, let's take EV 4 at ISO 100 as a typical value. - But you suggest that in case of really bright scenes, right? Also, 400 is a good general purpose film. ISO 400 film is great for shooting indoors without flash, and it still has a clean, clear image for use in daylight. We and our partners use cookies to Store and/or access information on a device. I never knew that and I'm glad if that's the case (always a struggle digitally, even with RAW-flexibility). Yeah, certainly start at box speed. Typically, CineStill 800T shot in daylight without a filter would scan and print with its colours shifted towards light blue or teal. To get the best skin tones and colors, you can do one of two things: Shoot it at 800 with an 85 B filter ( find on Amazon ). This exposes you to both motion blur and imprecise focusing, as focusing at night, with whatever camera . A difference of 1 in E V corresponds to 1 "stop" (+1 stop = 2 x . Glad to be of service. Of course I CAN/COULD use anything, as there's nothing keeping me from doing so. But generally it's said that 400 or lower is useless indoors, and you should go with 800 or up. This number depends on the amount of light present in a scene, either natural light (sun/moon) or artificial (strobe/lamp). So at 400 ISO, you have 14-stops of DR but 8-stops under and 6-stops over. This time, I was shooting with a Leitz 50mm f/3.5 Elmar and my Leica Standard. "One of the brand's best single-use cameras." Best Value: Fujifilm Disposable 35mm Camera with Flash at Amazon. Which prompted me to ask "Well, if that's intended for really low light, is it AT ALL usable outdoors or will I run into problems with overexposure even attempting to use it?". Thanks for contributing an answer to Photography Stack Exchange! Unless you are overdeveloping. Pull - Halving the amount of light by -1, -2,-3 stops. The consent submitted will only be used for data processing originating from this website. - If I would choose without looking at the visual styles of the film, I'd just go with 800 or maybe 400. It's easy to use, produces a classic black and white image with well-balanced contrast, and you have the flexibility to shoot at box speed or pushed from 1 to 3 stops. You might have convinced me to buy some Ektar for my summer holiday. Not favorite ISO 800 color film, but favorite color film period. Finally, you can find a load of my photos taken with this film hereif(typeof ez_ad_units!='undefined'){ez_ad_units.push([[320,50],'35mmc_com-narrow-sky-1','ezslot_25',194,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-narrow-sky-1-0'); For more articles on 35mmc about the subject matter discussed here, please click one of the following tag links: Contribute to 35mmc for an Ad-Free Experience. My remark of "there's nothing from keeping me" is to deter answers like "There's no wrong answer, get creative. While it is certainly possible to fix the photos taken without the filter using software, the job isnt always simple or fast, as you will discover below. Based on Kodak Vision 3 500T movie stock, which CineStill cuts and repackages for still cameras, 800T offers an extended dynamic range along with very fine granularity. What caused excessively high grain in Delta ISO 400 film developed by a shop? Film Type: Daylight Color Film; ISO: 800; Size: 35mm Color Film; See More Product Details. rev2023.3.1.43269. By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. On a cloudless day on open space maybe not as much. Yes, it is. This can make for an interesting effect or appear undesirable. - So I'd have another step left if necessary. Thanks Aukje! document.getElementById("ak_js_1").setAttribute("value",(new Date()).getTime()); This site uses Akismet to reduce spam. Utilizing the cinematic VISION Film technology, this film's smooth grain profile pairs with a micro-structure optimized T-GRAIN emulsion to make it especially well-suited to scanning applications, and advanced development . And Cinestill also sell a film for daylight shooting, naturally named Cinestill 50D (Daylight). Basically the question is whether or not ISO 1600/3200 is overkill when using it in bright natural light. While the clouds certainly didnt make the sun hotter, the light that it gives off after being filtered through the atmosphere appears bluer. It's also a versatile film and can be used indoors and outdoors, but preferably in lots of light. The other thing Id say reading this is, OK how did you end up getting on with E100? If you plan to shoot indoors in low light conditions, film ISOs of 400, 800, or even 1600 are preferred. Contribute to 35mmc for an Ad-Free Experience-, Ilford Delta 400 My First Roll By Gavin Bain, Fujifilm X-Pro3 Acros-R digital vs. 35mm Acros 100II By Dale Rogers, Digital-Infrared Workflow Begins Before You Leave Home By Dave Powell, https://emulsive.org/reviews/blind-film-review-01-fuji-natura-1600-vs-kodak-portra-800-vs-lomography-color-negative-800-35mm, Kosmonauts: Anna Lisa Wagner - Kosmo Foto, Fujichrome Velvia - Expired & Developed in Rodinal - By Lee Griffith, Leica 35mm f/2 eight-element Summicron and Leica M240 - Candid Portraits - By Steven Bleistein, Camera, Lens, Film and Peripheral Kit Reviews. If lucky, your scene will have elements that you know should appear white, grey, or black. CineStill 800T in daylight, dev/scan by Rocket Repro lab, Vancouver. Landscape photography, for example, is very well-suited to low . For such high ISOs you probably want an with a density of 5 or 6 stops. For shooting at night or indoors with dim lighting use an ISO of 1600 or higher How do I correctly expose a 3200 ISO film roll on a camera that allows 1600 ISO? There are, however, ways to control the colour cast that CineStill 800T produces when shot in daylight. Film stock review: Kodak TRI-X 400 black and white negative film in 35mm and 120 formats. Push - An overcast day or the sun is going down. Depending on your camera you might run into shutter speed problems. ISO 200. Taking care of colour casts, in this case, can be done using. Obviously grain is not ideal but it is also not my primary concern, at least at this point in my analog journey. Yes, of course. Shooting under this subdued light can be tricky. A: 50Daylight is a ISO 50/18 speed daylight balanced (5500K) motion picture emulsion, prepped and rolled for clean safe C-41 standard development as an ISO 50 film. However, colour correction is more difficult without reference material, even more so when you are working on an unfamiliar scene. It only takes a minute to sign up. . How have you found the lomography stuff? This remarkable emulsion is always in high demand, and its not just the hype: this film delivers for both perfectionists and experimental photographers. Low-light settings will have a brighter image than the 100 film speed, but it will appear overexposed on a bright sunny day. I then converted the resulting negatives by. Both of these options can be a little problematic. Raising the exposure in post-production will ruin the look of the grain. Definitely not a good first choice for casual outdoor shooting. . Shooting on cloudy days lowers the intensity of the light. One method photographers follow is pushing Cinestill 800T to 1600 ISO (aka underexposing it by 1 stop). Tonight I'm going to a little get together indoors and wanted to try it out. As such, I then subsequently didnt shoot Portra 800 for nearly a year. I cant remember if I commented or not, but I do remember thinking how much I was going to miss this film. Shooting CineStill 800T in daylight with and without 85C warming filter: an experiment. I think there's some herd mentality to the creative range of what gets shot on this film too, but let's not dwell on that. Very timely review as Ive just shot my first rolls of Portra 800 in 120 on my Mamiya 6 looking forwards to seeing the results! So I wanted to know if Portra 800 was just as flexible. window.__mirage2 = {petok:"k4RWgDbFvbNk8qz6zetNO.HksqXvh2SvW1GnJRb5vTw-1800-0"}; ISO 1600 film is not the right choice for shooting on a sunny day. Has 90% of ice around Antarctica disappeared in less than a decade? Instead, each film type has an ISO rating which relates to the light-sensitive emulsion layer on the film. As it turns out it is at least fairly happy with overexposure. - Also not picky about the aperture. This results in the . To be in a forest under the trees you will find high ISOs very useful. These next shots were taken at EI200, and though this seemed to emphasise a yellowish-shift in the scans, it was nothing I couldnt post-process out with relative ease. They stock Portra 800 here, but also supply something like 200 other films making the website interesting to explore as well as purchase from. . Cinestill says their film is faster because they remove the remjet layer of the film. sells out quickly wherever I shop making hunting it down an adventure each time. Depending on the film stock, you can achieve quite a balanced look in photos whether you're shooting 800 speed in the light of day, or the dark of night. Portra 400 is well known to be a film that allows for significant levels of overexposure and it still be quite correctable. Can be pushed to 3000! Picture a lens filter with an orange-tinted colored piece of glass in front of it. What ISO do I shoot Ilford Delta 3200 in? Can you make it work? (Funnily enough, after reading your comment I read the bit where you quoted me as saying 1200 a couple of times. Going by most answers it seems that if the sun starts blasting I'll run out of options (for settings) and I should avoid that. When you are unable or unwilling to close your aperture too much (due to desired depth of field and/or diffraction worries) you have to resort to ND filters to make exposure work. ISO for daylight. I cant remember exactly, but I suspect I might have decided to load a faster film to counteract the effect or also using a slower lens in the winter months. (Free 3-day trial)Subscribe here. Or for when subject is moving at speed (will cut down on blur). I used cake stands and deep shadows as my white and black colour references. Your donations via Buy Me A Coffee and your purchases from our shop are very much appreciated. The image above demonstrates the best-case scenario: I had a reference frame shot with an 85C warming filter right next to the working (no filter) scene. If you want to buy this film, I recommend Analogue Wonderland as a my chosen film supplier. As Ive written about before on this website, slight overexposure is good way to cheat your way to good results provided the film has the capacity for it. For example, 5500K is very close to the suns. But I've seen a few films I like the look of, and those happen to be faster. But I suppose what I can take from this is that it could work, trying to keep the exposure as low as possible, expecting some extra grain. (Eg. If you shoot 200 ISO film at 400 ISO, then photos will be overexposed by . What happens if you shoot 800 film at 400? So I wanted to know if Portra 800 was just as flexible. Just thought Id say hi , but it turned in to a what Im shooting and why. (Im on holidays) BTW started a project Im pretty sure Ill shoot dig Im shooting it on dig and 120P400 but I think Im getting more what want off the dig. Using ISO 1600 film outdoors, you're paying more money to get less resolution. Best Overall: Kodak Funsaver Disposable Camera ISO-800 at Amazon. The CineStill 800T adaptation utilizes a C-41 processing method. ISO is your camera's sensitivity to light as it pertains to either film or a digital sensor. Read moreabout our affiliate disclaimer. I love the softness I can get with Kodak Portra 800 shot indoors at low light. If underexposed, it will have more of a muddy and grainy look. Here are some top tips to help calculate correct exposure: Low values, such as ISO 100, are best for a sunny outdoor shoot. Cinestill 800T photos are synonymous with the nighttime, and wed expect nothing less! I was very impressed indeed. a set of physical colour swatches that you can photograph and then use as a reference for easy colour correction youre stuck with what youve got. Portra 800 Color Negative Film ISO 800, 35mm Size, 36 Exposure, Top Rated Gear: KODAK Portra 800 Color Negative Film ISO 800, 35mm Size, 36 Exposure, MFR: 1451855. . Save my name, email, and website in this browser for the next time I comment. The results proved conclusively to me that those sorts of feelings were ill-founded. Last but not least, dont miss our full round-up on Cinestill 800T sample photos for more inspo. @bvy No argument there, I just took the OP's. PTIJ Should we be afraid of Artificial Intelligence? Another is to shoot the film at 400-500 ISO. Or, you could shoot this film at 800 and get more leeway in terms of aperture/shutter range. This film features vivid color reproduction with natural skin tones when used under daylight (5500K) or electronic flash lighting conditions. Support this blog: this project takes thousands of hours and dollars to maintain. Improve this answer. - It's pretty much exactly like you described, a maximum of 1/1000 and f22. So what *is* the Latin word for chocolate? Related Post: Pushing Cinestill 800T to 1600, Photos by u/asonjones, u/asonjones, u/cheerymy, u/joko2105, u/ChillonDang. If lucky, your scene will have elements that you know should appear white, grey, or black. Actually, I was even more pleased with the results than I expected. Depending on what you're shooting, you choose a film that matches your sensitivity needs. Id be interested to do that comparison in my workflow too. I have found Portra 800 pushed one stop is a wonderfully [], [] Portra 800 might well be Hamish Gills favorite color film. As an 800 ISO film, I suppose I had pigeon-holed it as a low-light film. Id still like to read your piece about shooting Portra 800 under water. A variable neutral density filter (or variable ND filter) can help fix that! Unfortunately, there arent many high-speed colour films left in production. Enter your email address to subscribe to this blog and receive notifications of new posts by email. The Sunny 16 Method I am old school and just curious about the settings on Film camera. Took me back to shooting Fujicolor 800 on the F4 in the late 1990s. Thanks for your answer. Kodak TRI-X 400 - shot at EI 3200. Obviously - it's formulated for Tungsten, or artificial light. The same is true in reverse. Can you shoot Cinestill 800 at 400? The purpose would be mixed scenes. The best answers are voted up and rise to the top, Not the answer you're looking for? Once my adjustments made the image appear close to the reference, I moved on to Shadows and Highlights, returning to Midtones occasionally to fine-tune the results. are another something that neither Portra nor Lomography films have. But you will run into issues: You are getting the drawback of high ISO film (grain) without the benefit (high sensitivity). During the daytime when shooting outdoors, you can use the Sunny 16 Rule to ensure proper exposure. One way CineStill recommends is using a 85 or 81 filter for daylight images with this stock. Earlier or later in the day, you may need to start shooting at ISO 400+. Develop it at 400 (+2 Stops) and your photos should come out fine. . 85C warming filters, as the name implies, add a slight warm tone to your images. Let us know in the comments below and tag us in your Cinestill pics on Instagram @gridfiti. Ive shot a number of rolls of Portra 800, but they have all been 35mm, all processed the same way by AG Photo Lab, then scanned with my Noritsu LS1100 and post-processed in Lightroom by me, to my eye. They put high(er) speed films . The Sunny 16 Rule is a way to meter for correct exposure during daylight without using the camera's meter. In our review, we state: "Kodak Portra 800 is apparently based on Kodak's VISION 2 technology whereas Kodak Portra 400 and 160 . It's an old SLR. Interestingly, an overcast days sunlight measures nearly 7000K, just like an LED or a blue star. Cant argue with that fine grain, either. Let's say you've got nothing but Delta 3200 in the bag and it's a bright sunny day. But just like a non-cloudy Summer-ish day during which I could happen to be shooting. As an 800 speed film, it seemed only right again loaded into the Konica Hexar with the 50mm f/1.2 mounted, I took a roll out on a night out. This twin pack of FUJIFILM INSTAX MINI Instant Film contains 20 sheets of instant color film that is compatible for use with the INSTAX MINI series of cameras. And the Tri-X 400 single-use camera is one of the best you can buy. If your camera's max shutter is limited to (say) 1/1000, and you have a lens with 1/22 minimum aperture, then you can basically only shoot f/22 @ 1/1000, and that's it. It definitely says 200 though). Browse other questions tagged, Start here for a quick overview of the site, Detailed answers to any questions you might have, Discuss the workings and policies of this site. This is something I really like about Portra 400, but for one reason or another, I didnt expect Id get the same consistency from Porta 800, which is an older emulsion.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-leaderboard-2','ezslot_10',184,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-leaderboard-2-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-leaderboard-2','ezslot_11',184,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-leaderboard-2-0_1');.large-leaderboard-2-multi-184{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}. There's a reason that Ektar has 'the world's finest grain' while a couple of the shots here on this 1600 ISO . Technically, an ISO 800 film would be the safer choice. Its really great to read about your experience with Portra 800 as Ive been using Portra 400 exclusively, rating it at 100 with results Ive been really happy with. I only shot two or three rolls have a couple in the fridge but I think its a waste of time. I've used it only once, and I don't remember any effects besides more grain. This can make for an interesting effect or appear undesirable. (You might have seen that why shoot film? I wrote for Em last yr that was mostly about the relationship between grain and the image.) However, sticking with a 1600 ISO film might turn out to be rather limiting on a sunny day. This doesn't mean that I can only shoot it in bright situations. Whether it be underexposing the film a bit, or popping a filter on the lens to support, check out our tips for shooting Cinestill 800T in daylight. CineStill 800T is a great alternative to the few options we have. Fast speed film will result in the grainiest photographs but is great to use when shooting fast-moving subjects in low light conditions. But that was a long time ago. So, in general, you can shoot at a very low ISO. Pushing film needn't result in blocked out shadows and super high contrast. If you're looking for a film that you can reasonably use indoors without a flash, but which will also work outdoors in a pinch, go with ISO 400. 35mmc is a blog authored, edited and published by Hamish Gill featuring daily articles submitted by readers. CineStill takes advantage of a C . If you are taking photos in daylight, then ISO 800 is too high, as it will introduce more noise and over-exposed images than a lower ISO. Join our mailing list! Yes, you can. This gives you the capability to shoot at lower shutter speeds if you want to play with some daytime motion blur, or wider apertures if you want some sweet bokeh. Prior to shooting Portra 800, my biggest concern or sense of limitation with regard to this film was its higher speed. A bit underexposed, true, but amazing. It sounds like I need to keep one handy for exactly this kind of situation. In this case, pulling Delta 3200 to ISO 400 or 800 will give you . 35mm Ilford HP5 Plus 400 Pushed +1 to ISO 800. You can adjust the stops of light that are let into your lens, depending on the environment. Cookie Notice Right. The issue you may run into is that your camera might not have the aperture/shutter speed combination to properly expose the film. Outside of circles: frame shot with no warming filter and no colour correction. General purpose: Indoors when you might need a flash, outside when there's decent light.

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