Such an angelic yet powerful voice, a beautiful face and wonderful stage presence. I shall focus on my experience with buying the tickets, rather than the show itself (which was obviously outstandingly amazing!!!) As per usual, Row B suffers from your view being spoilt if people in front lean over; I found myself envying the people sat in the central section in Row A as they paid the same price as me but are great seats. Still, it was a relief to hear a non-American accent (both Patric Wilson and Emi Rosum needed voice coaching). It was rather sad to see a show I love being massacred. I thoroughly enjoyed the show and the music was played beautifully. Gina is a sweet Christine too. _____________________, I went to see The Phantom of The Opera on the 1st December 2009 with a group of friends. I think it is criminal for the seats in the back row of the Royal Circle to be advertised and sold in the same price plan as seats with a far better viewing angle either elsewhere in the RC or in the stalls. Anh Do - The Happiest Refugee Live!! Okay, so Phantom is kitschy faux-Puccini with a sprinkle of mainstream rock but I like kitsch, Puccini, and Rock (not necessarily in that order), so Im fine with that. The Project Gutenberg eBook of Critical and Historical Essays, Volume III (of 3), by Thomas Babington Macaulay This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. I give it 9/10 (only 9 because I had bad seats and could not enjoy the show to it's full extent). John did not let the audience down once - he is faultless, and I feel so lucky to have seen him play the part. Buy your tickets with confidence here. Fantastic all the way I have since listened to the music from the original cast (Michael Crawford and Sarah Brightman), but in my opinion, Earl Carpenter (Phantom) and Rachel Barrell (Christine) are far more talented. Besides which, Phantom is a classic "OF IT'S TIME". *based on 16 bookings made through various agents' websites. __________________________________________. Maximum 2 per person, first come, first served. The Spanish-inspired interior seats up to 1,000 guests across two tiers, with fairly good eyelines available throughout. I had totally forgotten the background story (of course I knew the Phantom/Christine bit) and so it was like watching it all for the first time. I booked stalls seats H19 and H20 with a degree of trepidation given Adams seat review and that I'm 6' tall and 15 stone. This was the first show I ever saw in the West End and that is always an exciting time for anyone. The latecomers were held back our side, and then began lots of standing by Ushers in the middle of the aisle waiting to place the theatregoers. 'Phantom's tragically dark tale is a mix of romance, gothic horror and mystery and Lloyd Webber chooses to focus on the romantic side of the story. For once theatremonkey I think you are wrong. Use our interactive seating plan to view 1352 seat reviews and 2662 photos of views from seat. Melbourne is blessed with a wealth of theatres, from the grand old dames like the, Shes currentlyhome to the biggest show Melbourne has seen in decades and judging bypast performances of. (is that a word?!) Her Majesty's Theatre. She had the voice of a goddess. _____________________, Seats: Royal Circle row C 25 and 27. We would have preferred to think of him walking round in swirling mist in his black suit, and living in the theatre!!! Despite this we actually found them pretty comfortable. That said, there is something thrilling about the proximity to the actors you get in the lower section, and certainly the front rows are nowhere near as limited as in the Sumner. Legroom was adequate for two 5' 10" people, one with a larger than average bottom (!) __________________. Cant wait to go and see it again! ____________________________, Went to see Phantom last night, 2nd May 2007, after finding an excellent meal and a show deal on this site, ate well at the Mintleaf restaurant before the show. You don't miss a thing at these seats, and they made the show much more enjoyable. Port Talbot, South Wales She had fallen asleep after the first act. It was a dear wish of mine to go to see Phantom, and for my birthday I was treated by the family to the show. The drama of the chandelier at the beginning always sends shivers down my spine, as does the "Masquerade" scene. Also, for the record, Brian McCann is a 'swing'* in the programme - yes, but he is also listed as 'first cover'** for the Phantom, Scott Davies is the standby Phantom, i.e., the 'alternate. These make lots of difference to the quality of viewing! JackieMc They played Christine and The Phantom to perfection. The above two comments drew this reply from previous reviewer Will Cooper: I'd just like to counter some of your most recent and scathing phantom reviews. I've just returned home from the matinee of "Phantom" (2nd October 2010), a show that I've seen about 30 times, but not been for 4 years until now. It needs a reason to be kept going; new energy and fervour. The rest of the cast were as usual fantastic. He has two great Christine's in Gina Beck and Robyn North. Killian Donnelly is great too, although Im intrigued how Jon Robyns will do. Can order interval drinks from very well priced bar. I got a half price ticket from the 'Get Into London Theatre's offer website (ended 17th March 2007) for the performance on 28th February 2007. You lost the very front left corner if you sat right back, that was all. The best known songs are still riveting, my favourite is Music of the Night , very moving and you could have heard a pin drop in the theatre. 1st in line got O3 which wasn't better. They are mainly surly or uninterested and as for policing the use of phones or disruptive patrons - well, they may as well not be there (can you tell I am not tolerant of people with no theatre etiquette!!). The restricted view seats can be found in the Boxes and in the end seats of the first three rows of the Dress Circle. West Midlands. The only downsideThe people in the front row leaning over the balcony was a little bit annoying as they were quite tall which meant there was a domino effect with the people in row B behind them leaning forward, then the people in row C leaning forward etc etc, but this didnt detract too much as the majority of the action is in the middle of the stage which was clearly visible. And occasionally ruined by the worst. I have seen 'Phantom of the Opera' many many times. The second time I saw POTO I realised I had missed so much the first time round, so knew I had to go again just in case I missed even more! I was seated in row L seat 5 - totally great seats - at Her Majesty's Theatre. I've seen it several times now and can't wait to go again! Overall the Phantom of the Opera is a must see, even for those who have never taken in a West End show before. During the first performance I saw Sofia Escobar in the role of Christine Daa and she was truly outstanding, with the most beautiful voice. A great performance at a really amazing price. None of it was discreet. I could not say anything as we were all so cramped together - it looks like they have added an extra row of seats and pushed the other seats really close together. It was as fabulous as ever!!! I have ended up with bruises on my knees due to no leg room at all very disheartening due to paying 60 for tickets. I am a regular visitor to the Theatre and am aware that the top price tickets are the best seats but in this instance we had to take the last seats available.To sum up - we paid full price for seats with restricted view!!! Dedication for the Red Gambit Series This series of books is dedicated to my grandfather, the boss-fellah, Jack 'Chalky' White, Chief Petty Officer [Engine Room] RN, my de facto father until his untimely death from cancer in 1983 and who, along with many millions of others, participated in the epic of history that we know as World War Two . I loved it. And perhaps come on a UK tour???? Angie Christie (Mrs) BEWARE These seats have restricted viewing (although not sold as such ) the floor of the balcony cuts off the top of the stage. Glad I went to see it but must admit I wasn't totally blown away - will probably be another few years before I venture back to the lair. Yes he's contemporary and rocky but it is what it is. This meant that most of the auction scene at the beginning was ruined and that is quite important in setting the scene and building atmosphere. After asking the very helpful woman behind the desk whether they had seats available, she informed us that Her Majesty's theatre does not offer day seats, never has and never will. Earl Carpenter as the Phantom was rather subdued and didn't have the edge of menace I felt he should have had. Loved every minute of it. Most memorable. It was a brilliant show and I want to see it again. However I decided I would give him the benefit of the doubt. Unfortunately by this time we felt completely disconnected from the scene on stage and this was seemingly the case also for the latecomers who commenced to chat quite openly. The big disappointment was Katie Knight Adams, I have never seen someone sing and act so badly on stage (and I have seen many shows). The service could also benefit from being freshened up. > . Staff were friendly and helpful and the overall ambience was an enjoyable experience.The show was fantastic! You may also get moved to a better seat if the auditorium isn't full! Review tags are currently only available for English language reviews. The theatre was quite warm for a chilly night, only felt cold when side door near the seats was open. For someone who normally favours the more modern musical like myself, "The Phantom of the Opera" certainly took me by surprise. I have to say this was by far the best visit to see this long runner in a long time, and only have one gripe. In spite of its size, the Olivier has a concentrated intimacy. The show is still one of the best I've ever seen and it's amazing how long its been running. Christian Toime I LOVED IT!!! She lifted the slightly flat acting of the Phantom wonderfully and kept Raoul's head above water. Maybe I will get a chance now the tour has announced Katie Hall as Christine and John Owen Jones to share the role of Phantom with Earl Carpenter. I was beginning to change my opinion of him. The drinks at the middle break were extremely expensive, but this is LONDON. The only tiny problem with view the seats is that you cant see the head when the Phantom enters (2 second obstruction), at the start of Act 2 and the chandelier blocks the phantom for a few seconds when he is at the top of the stage at the end of Act 1. Every performance he put his heart and soul in, Christine is very good too, but Raoul?? Lets get it clear: Paul Johnson of Port Talbot could not be more wrong in his summary of Brian McCanns performance as understudy Phantom. I thought the voices of Christine and the Phantom were absolutely superb. Can't wait to go back and see it again. I prefer the old staging, and the older orchestration. more. I have seen various actors and I have to say that the current cast, led by Ramin Karimloo is one of the strongest. The staging was clumsy with actors spending much of the show wandering the stage looking as if they couldn't find a mark and even when they did their delivery was sub-standard. This time it was Phantom, sitting in our favoured spot in the front row of the Dress/Royal Circle, in the outer section just by the aisle, A25 and 26. I absolutely loved it. Political Philosophy Pierre Joseph Proudhon: One cannot give and keep at the same time Chapter 2: Start Christine was one of the only redeeming qualities. ____________________________, There are few productions still running in London with just as much panache and zest as they had when they started, and I truly think that Phantom is one of them. The cast sounded like a train wreck when they all sang different lines at once. ___________________________. To overcome the staging, surmises the monkey. Placed at the end of the aisle in the centre I could see everything and even the slight overhang above did not obscure too much of THE chandelier. The venues unpredictability is a large part of its charm. However Ramin was very moving in 'Music of the Night' and his acting was the best I've ever seen. They tend to get in the way, wherever you sit. HISTORY OF THE STAGE. I did enjoy the first half more than the second - I found a couple of the scenes in the second half overly long really. His voice is superb and he really made the show. I watched 'The Phantom of the Opera' for the first time. 5. The first volume of Mein Kampf was written while the author was imprisoned in a Bavarian fortress. He sang brilliantly in the title song, and in 'Music Of The Night' he acted and sung flawlessly. I own; POTO compact mirror, a POTO monkey music box that plays "Masquerade", a POTO mug and a framed POTO poster with all my tickets in..does that make me a sad Monkey???? Maybe would have been better volume-wise further back. I have collected, vinyl - CD - DVD and finally, as a 60th Birthday treat with my family, I sat in awe and watched the show. I enjoyed it, even though the Monkeys review was going through my mind as I watched! He completely lacked stage presence, had no voice to speak of and overdid the histrionics to the point that the Phantom became a caricature rather than a sympathetic figure. The material has been carefully compared I thought I'd be cramped - but I'd sacrifice that for our experience- and it shouldn't affect my much more reasonably sized wife. From my angle I couldnt see the orchestra pit so I actually didnt even know there was a live orchestra playing until after the curtain came down and there was a bunch of people clustered around the railing at Stalls level and I went over to have a look - this discovery then added to my awe of the show. I was so close I could easily see the microphones of the performers. Although, perhaps not the strongest Phantom vocally, Scott provided his audience with a performance that was powerful and innovative. Her Majesty's Theatre London: restricted view seating - See 1,200 traveler reviews, 450 candid photos, and great deals for London, UK, at Tripadvisor.

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